Kamisama Hajimemashita was very good! I enjoyed it a great deal back when it aired, uneven as it was, and was very pleasantly surprised when a sequel was announced. It was probably the show that sold me on shoujo romance as a genre, and Nanami has endured as one of my favourite heroines amongst them. To cut to the chase, Kamisama Hajimemashita◎ (yes that is the official title, and no I have no idea how it’s pronounced) is basically more of the same, introducing a couple of new elements but for the most part just picking up from where the first season left off without missing a beat.
After enough time spent watching anime, it’s to be expected that you’ll be curious as to how it’s actually made – and not just the art of animation, but also the production aspects of it and more besides. It’s unfortunate then that there aren’t really a lot of resources to learn about it. Or at least, not in English. My limited understanding more or less comes from a few Answerman posts on ANN, the occasional bit of info the sakuga nerds retweet onto my timeline, and baseless intuition.
And I have to admit, I was not expecting Shirobako to fill in that educational gap. After all, the premise given before it aired was more or less “a group of high school girls made an anime in school, and now aim to make one together as professionals!” which, y’know, still sounds like a cute-girls-doing-cute-things show just transposed into a working environment. A nice bit of fluff that captures some of the fundamentals but is only really a shallow take on it, because it’s just context for the character-driven meat of the show. Kinda like Gekkan Shoujo Nozaki-kun, but anime instead of manga and moe instead of romantic-comedy.
Christ was I wrong.
A question I’ve seen pop up quite a few times is “why are there no magical boy series?”. Ignoring that the male equivalent to mahou shoujo is superhero tokusatsu à la Kamen Rider or Super Sentai, I guess it’s because there’s no real way to do it without it coming across as self-parody? Especially if you try to stick to standard mahou shoujo conventions – I mean, could you imagine a male Precure? Ok, scratch that, I just remembered the episode of DokiDoki Precure! where Sebastian becomes a Precure. Could you imagine a male Precure done seriously??
Given that, the obvious solution to doing “mahou shoujo but with boys” is to go full-on parody. Enter Binan Koukou Chikyuu Bouei-bu LOVE!, which I’ll just be shortening to Bouei-bu from here on out. While it wasn’t clear before airing – I picked it up for the absurd novelty of the premise – Bouei-bu is a straight up deconstruction parody of the mahou shoujo genre, with a heaping dose of bishounen anime thrown in for good measure. As a budding fan of mahou shoujo, this was right up my alley! What’s more, it’s directed by Shinji Takamatsu, director of Gintama and Daily Lives of High School Boys, noted funny shows with parodic elements. Can’t complain about that.
For those of us who have watched Nodame Cantabile there’s a shared sense of despair that there will never be more, despite the existence of as-yet unadapted manga content. We fell in love with Noda and Chiaki as their unconventional, classical-music backed relationship grew over the years, so it’s understandable that Shigatsu wa Kimi no Uso would draw our attention come the autumn 2014 season.
Shigatsu wa Kimi no Uso – or Your Lie in April – positions itself similarly to Nodame Cantabile, being broadly about romance between classical musicians, with key differences. The characters are substantially younger – middle-school aged, as opposed to being university freshmen – and tragedy and drama play a central role in the narrative. Indeed, the initial premise is that Arima Kousei – a young piano prodigy – had a mental breakdown during a recital after his mother passed away that left him unable to hear his own playing. By the time the series begins, he hasn’t played for two years. He’s depressed and numb – albeit comfortable, in a quiet sort of way with his friends – and this threatened to remain the case had he not met Miyazono Kaori, a free-spirited violinist who takes it upon herself to pull him back into music.
I am so mad that the UK gets it last. I won’t be able to play it until tomorrow, as of writing ;_;
Anyway, damn has the winter season been spectacular! Between Parasyte, Death Parade, Yuri Kuma Arashi, Durarara!!x2, JoJo’s Bizarre Adventure and, of course, Shirobako we have been spoiled for high quality, extremely entertaining anime. And that’s only the more-or-less universally acclaimed shows that I’m watching! Things like Maria the Virgin Witch have been getting a stupid amount of love, and there’s still a clutch of decent shows that haven’t been getting as much love, like Rolling Girls or Your Lie in April.
Best season of anime in a long while? Yeah. You know what, yeah. That’s not implausible. It’s downright probable. When people look at past “best seasons”, they’re usually dominated by one major show that goes on to become a classic backed up by a handful of decent shows; I can’t recall a season that was this consistently excellent across its series. It’s unreal, and so, so good.
The upcoming spring season pales in comparison. Still, there’s some stuff to be pretty excited for.
- Arslan Senki
- Denpa Kyoushi
- Hello!! Kiniro Mosaic
- Hibike! Euphonium
- Kekkai Sensen
- Lupin III
- The Disappearance of Nagato Yuki-chan
- Ore Monogatari!!
- Owari no Seraph
- Plastic Memories
I don’t know why I’m watching any of them when I can just be playing Bloodborne instead, but whatever. Here’s wot I think about them.
Happy New Year! Did you have a good one? That’s nice. Mine was alright.
So how about that autumn season, eh? There was some alright anime in there. Parasyte has been excellent. Mushishi Zoku Shou was predictably breathtaking. Happiness Charge Precure! had some great episodes. Shirobako has been equal parts informative and surprisingly engaging/fuck Tarou. Garo has been unexpectedly great. Shingeki no Bahamut is pretty good – I’ve fallen behind on it though, and hear the ending is insane. Shigatsu wa Kimi no Uso keeps being powerful. All in all – pretty solid. Some disappointments, some utter crap, but I’ve avoided the worst of it.
I’ve seen some people pegging the upcoming winter season as “the season of sequels”, because holy crap there are a ton. Some people knew were coming. Some that people wanted to happen. Some no-one ever thought would happen. Some that no-one knows why they’re coming. But: a lot. Helps make deciding what to pick up a lot simpler.
Without further ado, here’s what I’ll be picking up for the first season of 2015!
- Ansatsu Kyoushitsu
- Binan Koukou Chikyuu Bouei-bu Love!
- Death Parade
- Durarara!!x2 Shou
- Go! Princess Precure
- JoJo’s Bizarre Adventure: Stardust Crusaders 2nd Season
- Junketsu no Maria
- Kamisama Hajimemashita◎
- Koufuku Graffiti
- Yuri Kuma Arashi
And as ever, some thoughts on them going in:
KyoAni! But there was something a bit different from my usual KyoAni excitement for Amagi Brilliant Park – the author of the light novel that this is adapted from also wrote Full Metal Panic!, and the director of KyoAni’s Full Metal Panic! adaptations also directed this! Now, Full Metal Panic! is one of the very few KyoAni series I haven’t watched, but I’ve heard a lot of good things even from people who don’t particularly enjoy KyoAni’s regular output – hell, they ended up quite excited for Amagi Brilliant Park as well! Naturally, this got looking forward to it too.
Amagi Brilliant Park revolves around the failing eponymous theme park, and the efforts of one Seiya Kanie to reinvigorate the public’s interest and draw in 500,000 visitors before July 31st, lest the park be closed down. Also fairies and magic are involved.